Wrapped in the Cloud
2018-2026
Funded by SSHRC Insight Grant
Kate Hennessy and Hannah Turner, co-applicants
Collaboration with Jaad Kuujus (Meghann O’Brien)(Kwakwaka’wakw, Haida, and Irish)
Collaborators: Jaimie Isaac, Conrad Sly, Reese Muntean, Doenja Oogjes; Material Matters Lab, Emily Carr U (Helene Day Fraser, Jen Hebert, Melanie Camman)
Since 2018, artist and weaver Jaad Kuujus (Meghann O'Brien) has collaborated with members of the Making Culture Lab to transmediate her woven artwork in a number of exciting new directions, including creative engagement with digital jacquard weaving to support the creation of new woven robes for community use and exhibition in Canada and abroad. O’Brien is a Northwest Coast weaver and artist working in the traditions of basketry, Yéil Koowú (Raven’s Tail) and Naaxiin(Chilkat) textiles. She is descended from the Kwakwaka’wakw village of Weḵaʼyi Tʼsakwaʼlutan (Cape Mudge), the village of K’yuusda, Haida Gwaii, in British Columbia, Canada, and Dublin, Ireland. We have worked together to create a media installation titled Wrapped in the Cloud representing her woven work Sky Blanket, and supported exciting further transmediation, including digital jacquard weaving and exhibition of her work.
Our work together began after O’Brien’s woven artwork Sky Blanket was selected by Winnipeg Art Gallery curator Jaimie Isaac for the exhibition Boarder X. However, O’Brien wished to bring Sky Blanket off exhibit while it toured for use in community. We therefore used photogrammetry and digital modelling to produce an animation representing Sky Blanket that took the place of the original blanket in the exhibition. While Boarder X this traveled across Canada from the MacKenzie Art Gallery, to the Winnipeg Art Gallery, to the Art Gallery of Alberta, the Rooms in St. Johns, and the Nanaimo Art Gallery (2020), and the Museum of Vancouver (2021-22), and beyond, the original Sky Blanket was returned to Meghann’s home community in September 2018 for use in ceremony and other work. Wrapped in the Cloud was curated for inclusion in other exhibitions, including Sovereign Intimacies at the Plug In ICA (2020); Intimate Textures of the Digital World (SPAO Gallery, Ottawa) (2022) and A Thread That Never Breaks (at AbTec Island, Second Life, Indigenous Fashion Week Toronto) (2021). Our recent collaboration with Doenja Oogjes, the Material Matters Lab at Emily Carr University, has led to our current work transmediating new digital representations of Sky Blanket into digital jacquard woven robes.
Please see our publications below for more information about this work and our exhibitions.
Video still, "Wrapped in the Cloud", Meghann O'Brien (Jaad Kuujus). 2018. Made in collaboration with Conrad Sly, Hannah Turner, Reese Muntean, and Kate Hennessy.
Video still, "Wrapped in the Cloud", Meghann O'Brien (Jaad Kuujus). 2018. Made in collaboration with Conrad Sly, Hannah Turner, Reese Muntean, and Kate Hennessy.
Creating Wrapped the Cloud. Making Culture Lab, 2017. Photo by Kate Hennessy
Creating Wrapped the Cloud. Photogrammetry Process. Screenshot by Conrad Sly.
Creating Wrapped the Cloud. Photogrammetry Process. Screenshot by Conrad Sly.
Installation view, Wrapped in the Cloud. In, Boarder X, Art Gallery of Alberta, 2018. Photo by Rachel Topham.
Installation view, Wrapped in the Cloud. In, Boarder X, Art Gallery of Alberta, 2018. Photo by Rachel Topham.
Installation view, Wrapped in the Cloud. In, Boarder X, Art Gallery of Alberta, 2018. Photo by Rachel Topham.
Installation view, Wrapped in the Cloud. In, Boarder X, Art Gallery of Alberta, 2018. Photo by Rachel Topham.
Installation view, Wrapped in the Cloud. In, Boarder X, Art Gallery of Alberta, 2018. Photo by Rachel Topham.
Installation view, Wrapped in the Cloud. In, Boarder X, Art Gallery of Alberta, 2018. Photo by Rachel Topham.
Installation view, Wrapped in the Cloud. In, Boarder X, Art Gallery of Alberta, 2018. Photo by Rachel Topham.
Installation view, Wrapped in the Cloud (2021) in Sovereign Intimacies, Plug In Institute of Contemporary Art, Winnipeg. Photo by James Dixon.
Installation view, Wrapped in the Cloud (2021) in Sovereign Intimacies, Plug In Institute of Contemporary Art, Winnipeg. Photo by James Dixon.
Installation view, Wrapped in the Cloud (2021) in Sovereign Intimacies, Plug In Institute of Contemporary Art, Winnipeg. Photo by James Dixon.
Meghann O'Brien Jaad Kuujus weaving on the TC2 Loom, Material Matters Lab, Emily Carr University, 2023. Photo by Reese Muntean.
Team checking weaving on the TC2 Loom, Material Matters Lab, Emily Carr University, 2023. Photo by Reese Muntean.
Weaving explorations on the TC2 Loom, Material Matters Lab, Emily Carr University, 2023. Photo by Reese Muntean.
Weaving explorations on the TC2 Loom, Material Matters Lab, Emily Carr University, 2023. Photo by Reese Muntean.
Weaving explorations on the TC2 Loom, Material Matters Lab, Emily Carr University, 2023. Photo by Reese Muntean.
Photo by Reese Muntean
Installation view, "Everyone Says I Look Like my Mother" at Bard Graduate Center, New York, 2024. Photo by Reese Muntean
Installation view, "Everyone Says I Look Like my Mother" at Bard Graduate Center, New York, 2024. Photo by Reese Muntean
Installation view, panel discussion, "Everyone Says I Look Like my Mother" at Bard Graduate Center, New York, 2024. Photo by Reese Muntean
Installation view, panel discussion, "Everyone Says I Look Like my Mother" at Bard Graduate Center, New York, 2024. Photo by Reese Muntean
Photo by Reese Muntean, 2025.
Digital jaquard weaving, Netherlands. Photo by Reese Muntean, 2025.
Digital jaquard weaving, Netherlands. Photo by Reese Muntean, 2025.
Jaad Kuujus: Everyone Says I Look Like My Mother
The Museum of Anthropology (MOA).
Opening December 4, 2025–March 29, 2026.
Co-curated by artist Jaad Kuujus–Meghann O’Brien (Haida, Kwakwaka’wakw, Irish), Kate Hennessy (Associate Professor, Simon Fraser University), and Hannah Turner (Associate Professor, University of British Columbia), the exhibition features a varied collection of naaxiin (Chilkat) weavings and their digital translations. From intricately handwoven ceremonial regalia to digitally rendered reproductions, the exhibition is a space of reflection on themes of repetition, regeneration, and return.
“This exhibition is an expression of respect and love towards my ancestors and their ways of making, while looking forward to how new technologies can be used to represent our stories,” says O’Brien. “My hope is that visitors to Everyone Says I Look Like My Mother will experience the strength of the lands and cultures these works are connected to, even in the contemporary iterations. I believe that how we see can change the world. I hope visitors form a deeper connection to the foundational thread of ancestry—whether that be the lineages represented in the exhibition or to their own.”
Title wall, detail. Museum of Anthropology at the University of British Columbia, Dec. 2025. Photo K. Hennessy
"Clouds", mountain goat wool installation, detail. In "Jaad Kuujus: Everyone Says I Look Like My Mother", Museum of Anthropology at the University of British Columbia, Dec. 2025. Photo K. Hennessy
Installation view, "Jaad Kuujus: Everyone Says I Look Like My Mother", Museum of Anthropology at the University of British Columbia, Dec. 2025. Photo K. Hennessy
Installation view, "Everyone Says I Look Like My Mother". In "Jaad Kuujus: Everyone Says I Look Like My Mother", Museum of Anthropology at the University of British Columbia, Dec. 2025. Photo K. Hennessy
Installation view, "The Burden of Being An Echo", digital jacquard and hand woven robes. In "Jaad Kuujus: Everyone Says I Look Like My Mother", Museum of Anthropology at the University of British Columbia, Dec. 2025. Photo K. Hennessy
Installation view, "The Burden of Being An Echo", digital jacquard and hand woven robes. In "Jaad Kuujus: Everyone Says I Look Like My Mother", Museum of Anthropology at the University of British Columbia, Dec. 2025. Photo K. Hennessy
Installation view, "Jaad Kuujus: Everyone Says I Look Like My Mother", Museum of Anthropology at the University of British Columbia, Dec. 2025. Photo K. Hennessy
Installation view, "Jaad Kuujus: Everyone Says I Look Like My Mother", Museum of Anthropology at the University of British Columbia, Dec. 2025. Photo K. Hennessy
Installation view, "Seeing What Cannot Be Seen". In "Jaad Kuujus: Everyone Says I Look Like My Mother", Museum of Anthropology at the University of British Columbia, Dec. 2025. Photo K. Hennessy
Robes removed from exhibition to be danced at the opening event, and to be re-hung by the conservation team during the event, Dec. 4th 2025. In "Jaad Kuujus: Everyone Says I Look Like My Mother", Museum of Anthropology at the University of British Columbia, Dec. 2025. Photo K. Hennessy
Robes removed from exhibition to be danced at the opening event, and to be re-hung by the conservation team during the event, Dec. 4th 2025. In "Jaad Kuujus: Everyone Says I Look Like My Mother", Museum of Anthropology at the University of British Columbia, Dec. 2025. Photo K. Hennessy
The Rainbow Creek Dancers, led by Haida artist Guud San Glans - Robert Davidson, dancing the robes for the first time. Opening celebration, "Jaad Kuujus: Everyone Says I Look Like My Mother", Museum of Anthropology Dec. 2025. Photo Rachel Topham.
Photo Rachel Topham
Photo Rachel Topham
Photo Rachel Topham
Photo Rachel Topham
Photo Rachel Topham
The Rainbow Creek Dancers, led by Haida artist Guud San Glans - Robert Davidson, dancing the robes for the first time. Photo Rachel Topham.
Jaad Kuujus Meghann O'Brien sharing a song. Opening celebration, "Jaad Kuujus: Everyone Says I Look Like My Mother", Museum of Anthropology. Photo Rachel Topham.
The Rainbow Creek Dancers, led by Haida artist Guud San Glans - Robert Davidson, dancing the robes for the first time. Photo Rachel Topham.
The Rainbow Creek Dancers, led by Haida artist Guud San Glans - Robert Davidson, dancing the robes for the first time. Photo Rachel Topham.
The Rainbow Creek Dancers, led by Haida artist Guud San Glans - Robert Davidson, dancing the robes for the first time. Photo Rachel Topham.
The Rainbow Creek Dancers, led by Haida artist Guud San Glans - Robert Davidson, dancing the robes for the first time. Photo Rachel Topham.
The Rainbow Creek Dancers, led by Haida artist Guud San Glans - Robert Davidson, dancing the robes for the first time. Photo Rachel Topham.
The Rainbow Creek Dancers, led by Haida artist Guud San Glans - Robert Davidson, dancing the robes for the first time. Photo Rachel Topham.
The Rainbow Creek Dancers, led by Haida artist Guud San Glans - Robert Davidson, dancing the robes for the first time. Photo Rachel Topham.
The Rainbow Creek Dancers, led by Haida artist Guud San Glans - Robert Davidson, dancing the robes for the first time. Photo Rachel Topham.
The Rainbow Creek Dancers, led by Haida artist Guud San Glans - Robert Davidson, dancing the robes for the first time. Photo Rachel Topham.
The Rainbow Creek Dancers, led by Haida artist Guud San Glans - Robert Davidson, dancing the robes for the first time. Photo Rachel Topham.
The robes re-mounted after being danced for the first time. Opening celebration, "Jaad Kuujus: Everyone Says I Look Like My Mother", Museum of Anthropology at the University of British Columbia, Dec. 2025. Photo K. Hennessy
The robes re-mounted after being danced for the first time. Opening celebration, "Jaad Kuujus: Everyone Says I Look Like My Mother", Museum of Anthropology at the University of British Columbia, Dec. 2025. Photo K. Hennessy
Publications
Hennessy, K., Turner, H., Isaac, J. and Jaad Kuujus (O'Brien, M.) (2025)
Digital. In International Handbook of Methods in Visual Anthropology. Chris Wright and Rupert Cox, Editors. Routledge. Pp. 245-253. [link]
Hennessy, K., Turner, H., O’Brien, M., Oogjes, D., Muntean, R. (2024)
Journey into Form: Transmediating the woven artwork of Jaad Kuujus (Meghann O’Brien). Proceedings of Electronic Visualization and the Arts (EVA), London, June 2024. Published by BCS Learning and Development Ltd. (8 pages) [link]
Oogjes, D., O’Brien, M., Turner, H., Hennessy, K., Muntean, R., Camman, M. (2023).
Transmediating Sky Blanket: tensions with a digital jacquard loom. Proceedings of DIS 2023, New York, ACM Press. 16 pages. [link] *Honorable Mention Award
Turner, H. Hennessy, K, O’Brien, M., and Sly, C., (2019)
Wrapped in the Cloud: A Conversation with Meghann O’Brien and Conrad Sly.
BC Studies (200) Winter 2018-10. Pp. 127-142. [pdf]
O’Brien, M., Sly, C., Turner, H., Hennessy, K. (2018)
Wrapped in the Cloud. In Boarder X (exhibition catalogue). Winnipeg: Winnipeg Art Gallery. Pp. 52-53.
Hennessy, K. and Turner, H. (2018)
Wrapped in the Cloud: Working Together at the Interface. In, Interface: the work of Meghann O’Brien (exhibition catalogue). Vancouver: Bill Reid Gallery of Northwest Coast Art. Pp. 51-54.
Reviews + Curatorial Texts
Kisin, E. (2024).
"Everyone Says I Look Like My Mother" — Meghann O’Brien (Jaad Kuujus/Kwaxhi’laga) with Andy Everson, Jay Simeon, Kate Hennessy, Hannah Turner, Reese Muntean, Conrad Sly, Jaimie Isaac, Doenja Oogjes. Review.
CMag, July 12. [link]
Georgeson-Usher, C. (2021). A Thread That Never Breaks” — Angel Aubichon, Joi T. Arcand, Leanna Marshall, Caroline Monnet, Jaad Kuujus (Meghann O’Brien), Olivia Whetung, The Pacific Sisters. CMag, Aug 15 2021. [link]
Himada, N., Smith J. (2020).
Sovereign Intimacies, curatorial essay. Plug In Institute of Contemporary Art, Winnipeg. [link]
Isaac, J. (2018). Boarder X. In Boarder X (exhibition catalogue). Winnipeg: Winnipeg Art Gallery. Pp. 52-53.
Exhibitions
Jaad Kuujus: Everyone Says I Look Like My Mother. Exhibition Premiere.
Museum of Anthropology (MOA) at the University of British Columbia. Dec. 4 2025 - March 29 2026. Guest co-curated by Jaad Kuujus - Meghann O’Brien, Kate Hennessy, and Hannah Turner.
O’Brien, Meghann (2024). Everyone Says I Look Like My Mother. Pop-up exhibition at Bard Graduate Center (NYC) and at the Textile Arts Center (Brooklyn, NY), April 10 – 19th, 2024. Including works created in collaboration with Hennessy, K., Turner, H. Sly, C., Oogjes, D., Muntean, R., and Camman, M.
O’Brien, Meghann. Wrapped in the Cloud (2018) produced in collaboration with Conrad Sly, Kate Hennessy, Hannah Turner, and Reese Muntean. In Boarder X, curated by Jaimie Isaac.
The Museum of Vancouver, Vancouver, B.C. Oct. 1 2021 – Oct. 2022.
The Squamish- Lil’wat Cultural Centre, Whistler. BC. Spring 2021 - Sept 2021
The Nanaimo Art Gallery, Nanaimo B.C. Summer 2020 - Spring 2021
The Rooms, St. Johns, Newfoundland. Sept 21 2019 - Jan 5th 2020
The Art Gallery of Alberta, Edmonton, AB. January 26 –May 19, 2019
The MacKenzie Art Gallery, Regina, Sask. Sept - Dec. 2019
O’Brien, Meghann (2020) Wrapped in the Cloud (Produced in collaboration with Conrad Sly, Kate Hennessy, Hannah Turner, and Reese Muntean. In Sovereign Intimacies (invited, group exhibition). Curated by Nasrin Himada and Jennifer Smith. Plug In Institute of Contemporary Art, Winnipeg. https://plugin.org/exhibitions/sovereignintimacies_2020/
O’Brien, Meghann (2021) Wrapped in the Cloud (Produced in collaboration with Conrad Sly, Kate Hennessy, Hannah Turner, and Reese Muntean. In Intimate Textures of the Digital World (invited, group exhibition). Curated by Darren Pottie. SPAO Gallery, Ottawa. Sept 3 - Oct 31, 2021. https://spao.ca/intimate-textures
O’Brien, Meghann (2021) Wrapped in the Cloud (Produced in collaboration with Meghann O’Brien, Conrad Sly, Hannah Turner, and Reese Muntean. In A Thread That Never Breaks. (invited, group exhibition). Curated by Lisa Myers and Sage Paul. AbTec Gallery, Second Life. Indigenous Fashion Week Toronto. https://gallery.abtec.org/exhibition/a-thread-that-never-breaks/